N Jay, check this out:
Coco, Yoyo y Yiyo
http://www.youtube.com/watch?v=W0h0g3nfrB8
Bob
Wednesday, September 30, 2009
IF ANYONE WANTS TO SEE A FINESTORYTELLER AND YOU IN THIS AREA DROP IN
This Sunday I will have two shows at the Kendallville Apple Festival inKendallville, IN. This will be my second year. Any in the area drop by andsay Hi. I'll be the one with an African Owl on my shoulder. This is a prettyneat festival. Google it for details.....Bob Shimer"Stories and Magic with Bob and Friends", http://StoriesAndMa gic.comMore than a show, its a fun experience for all ages.Fishers, Indiana USA
Sunday, September 27, 2009
A CONVERSATION WITH YOUNG MATT BAILEY
I believe that stage name is good for a few reasons, one is the ring it has, and two it allows the little kids to still call you Mr. as most parents teach there kids to do, as a respect thing, and its also like addressing a teacher in that sense, so it is really good. I like that!
And I love the blog
I have thrown a question out there to the pro vents to answer and so far they are doing a great job
I have an Idea...after you get all the answers, if you could put them in one big post, I see you have smaller posts individually as you get the answers, but after you get them all, maybe create a "data base" if you will, of all the answers...just a thought.
Well its a good Idea even a better one might be to put all the answers into one box which is simply to highlight and delete
but in the mean time I have readers from all over the world and as the replies come in I down load it to the blog
rather then keep them in limbo some professionals have different methods and if something different comes in while I am entering a reply I also add that and go back to the reply so if you wish to answer with your method by all means it will be read and entered.
I am still learning, and am not a pro, so I don't believe it would be appropriate for me to share my thoughts, because I really have not found anything newer than what has been taught....the only thing I've really found out is that difficulty on the hard letters varies from accent to accent.
Matt YOU are always welcome to add your ideas to my blog whether pro or not. I find you to be a very wise young man and if what you have to add doesn't quite make it, that's OK too. Just add it let me be the judge,
that'd be it though: I find that the difficulty of making the Labials sound like BPMVF varies between the voices I do. with My deep, dodo voice for my bird, the letters are not as hard, but I have a bit more difficulty with the letters in my southern accented boy character
we will discuss accents at another time this is totally about labials and tongue placement as well
I find that breathing from the diaphragm makes the letters easier to pronounce rather than shorter breaths*
Breathing shallow is a bad ventriloquist you must breath from the diaphram or deep breathing.. When you pronounce your M words what do you do to make it sound like an M without moving your lips
where do you position your tongue in your oral cavity, remembering that your tongue replaces your lips in vent speech therefore making it the strongest muscle or your second strongest muscle the diaphragm is the strongest
the tip of my tongue hits my gums "MM' sound and then it bounce back down for the little "uh"
OK what I refer to as the back of your upper teeth and the alveolar ridge works fine for most words but when pronouncing the M words it is the only resonant letter in the labials which means you replace it with the NG sound in your nasal cavity or the N sound in the back or your mouth Remember that the replacement sub for m is N or NG or combination of both
Here are a few replacement sentences My Mind Melds with your Mind could be Ny Nind Nelds with your Nind where in the ng sound would be mommy become ngonny or nonny very simple way to tell if the resonat sound is working pinch your nose slightly say money with the ub of NG in sing or the ay in shayon the ay or on the ng of sing. Have fun Matt
And I love the blog
I have thrown a question out there to the pro vents to answer and so far they are doing a great job
I have an Idea...after you get all the answers, if you could put them in one big post, I see you have smaller posts individually as you get the answers, but after you get them all, maybe create a "data base" if you will, of all the answers...just a thought.
Well its a good Idea even a better one might be to put all the answers into one box which is simply to highlight and delete
but in the mean time I have readers from all over the world and as the replies come in I down load it to the blog
rather then keep them in limbo some professionals have different methods and if something different comes in while I am entering a reply I also add that and go back to the reply so if you wish to answer with your method by all means it will be read and entered.
I am still learning, and am not a pro, so I don't believe it would be appropriate for me to share my thoughts, because I really have not found anything newer than what has been taught....the only thing I've really found out is that difficulty on the hard letters varies from accent to accent.
Matt YOU are always welcome to add your ideas to my blog whether pro or not. I find you to be a very wise young man and if what you have to add doesn't quite make it, that's OK too. Just add it let me be the judge,
that'd be it though: I find that the difficulty of making the Labials sound like BPMVF varies between the voices I do. with My deep, dodo voice for my bird, the letters are not as hard, but I have a bit more difficulty with the letters in my southern accented boy character
we will discuss accents at another time this is totally about labials and tongue placement as well
I find that breathing from the diaphragm makes the letters easier to pronounce rather than shorter breaths*
Breathing shallow is a bad ventriloquist you must breath from the diaphram or deep breathing.. When you pronounce your M words what do you do to make it sound like an M without moving your lips
where do you position your tongue in your oral cavity, remembering that your tongue replaces your lips in vent speech therefore making it the strongest muscle or your second strongest muscle the diaphragm is the strongest
the tip of my tongue hits my gums "MM' sound and then it bounce back down for the little "uh"
OK what I refer to as the back of your upper teeth and the alveolar ridge works fine for most words but when pronouncing the M words it is the only resonant letter in the labials which means you replace it with the NG sound in your nasal cavity or the N sound in the back or your mouth Remember that the replacement sub for m is N or NG or combination of both
Here are a few replacement sentences My Mind Melds with your Mind could be Ny Nind Nelds with your Nind where in the ng sound would be mommy become ngonny or nonny very simple way to tell if the resonat sound is working pinch your nose slightly say money with the ub of NG in sing or the ay in shayon the ay or on the ng of sing. Have fun Matt
DALE BROWN HAS SHARED WITH US HIS METHOD OF VENT SPEECH
Hi, Jay AND THE READERS OF THIS BLOG
I've been doing this for so long that I don't use substitutes for the Liabials anymore. But when I was starting out I used whatever was suggested in the Maher course. Clinton Detweiler's blog often talks about sustitures, so be sure to check that out. I primarily do corporate and banquet work ... a few childerns' shows around the holidays. Best of luck and please keep in touch.
Dale"
Reply from me: I certainly wil Dale and thank you from the readers
RUSSO LEWIS HAS OPTED TO SHARE A FEW IDEAS WITH THE READERS HERE
Hi, Mr. JAY AND THE READERS OF THIS BLOG
My preferred method of labial pronunciation lies in coordinating tongue, to forward, mid and soft palette positions. This is secondary to the ventriloquist artist in training the lungs to fill low to high instead of lifting the chest before filling the abdomen. In that way short or long breaths have a good source from which to draw to create the illusion of breathing from two points so as to create the fantasy of a dialogue between two or more characters. I'm not too enthusiastic about earlier methods of substitution since tongue tip to palette can and do produce labials whose sounds are barely indistinguishable from that produced by the lips. That said; how we hold the brush to the canvas, so to 'speak', pardon the pun, will differ slightly artist to artist. Give the jaw a consistent anchor point. you can study this effect in work by Paul Winchell, Shari Lewis, Jimmy Nelson...or today's Jeff Dunham or the artistry of actor Jay Johnson.
PeaceRuss"
THANK YOU WANLU FROM THE PHILIPINES FOR SHARING WITH US
Wanlu
Hi N Jay AND READERS OF THIS BLOG:
I have problems with labials as well. My lip control is not ideal but I try hard (he practices, practices, practices) and I think a ventriloquist must really try hard to have at least a decent lip control. If a ventriloquist is as famous as Edgar Bergen, then maybe lip control wont be an issue. But even famous and wealthy ventriloquists like Jeff Dunham and Terry Fator try hard to showcase a decent lip control.On my part, I have problems with labials(B-F-M-P-V-W) but I use the standard technique which is substitution. For TV, I use a lot of proper camera angles. I tell the show director not to take close up shots and more on left side camera shots. Plus a few tight shots on the figure once in awhile. I have had some TV shows where my lip control was terrible...and I learned from those experiences. Now, every time I am featured in TV, I insist on specific camera shots. I also insist that I am provided with a sound monitor. I will bring my own if I need to...just to make sure I will hear myself well. For live shows, the best way to overcome those hard labials is practice....practice...and more practice. I also managed to learn a few cheats...like wiping the nose once in awhile. Oh yes...I cheat, Im so sorry but there are just words I just cant get away with a decent lip control. I dont want to sacrifice clarity for lip control and realize nobody got the punchline because the word was not understood. :)Thank you very much for the privilege to be a part of your blog. I'm a relatively new ventriloquist, I am not an expert but a student of the art and I continue to learn more.I am proud to say that in the Philippines, because of my TV exposure, a regular citizen has added a new word to his vocabulary, VENTRILOQUIST. :) I bring back ALL THE GLORY TO GOD.Wanluhttp://www.facebook.com/l/4f8e4;www.wanlu.net
Thursday, September 24, 2009
SILVIA AND THE MAGIC TRUCK GOOGLE HER SHE PUTS ON A FINE SHOW
TUPPER?LAKE -Ventriloquism is more than just not moving your lips when you talk, says Sylvia Fletcher, a Ballston Spa ventriloquist.
The hard part is that you have to play two characters at once.
"You're becoming Laurel and Hardy, you're becoming Lucy and Ricky, you're both parts of the comedy team," Fletcher said. "You have got to be able to do a banter back and forth and do it quickly and make it believable."
People don't realize how important acting skills are to ventriloquism, she said.
Fletcher, who performs as Silvia and the Magic Trunk, is playing several shows in the Tri-Lakes area next week, and will finish off with a benefit performance at the Tupper Lake Knights of Columbus on Saturday, May 16.
The show is a family comedy show and features several hilarious characters, including Chito, an hispanic opossum for whom English is a second language, and Smolder, a stega-dragon (a mix between a stegosaurus and a dragon) who billows smoke and sometimes gets in trouble doing so.
Fletcher's husband, Chris Fletcher, is a Tupper Lake native and still has family there. Since their marriage three years ago, he has taken on the role of managing the show, adding lights, music and other production elements.
"It's a wonderful dimension that has been added to the show," Fletcher said.
Ventriloquism is a full-time job for the couple, who have a variety of shows they perform, including educational performances that promote literacy, like they will be putting on at L.P. Quinn on Thursday, and shows that are more geared toward general entertainment, like the Saturday benefit.
Proceeds from the show will be donated to two neurofibromatosis foundations: NF R.A.C.E.R.S. (which stands for Raising Awareness to Cure, Educate, Research and Support) and the Children's Tumor Foundation, a national research fund.
Fletcher's 14-year-old nephew Ganon has NF, a genetic disorder that causes tumors to form on nerves anywhere in the body. He was diagnosed when he was four months old, and has had two tumors removed from his eyelid.
Ganon's mother, Kim Fletcher, founded NF R.A.C.E.R.S. to support local families dealing with NF by helping pay for hospital bills, travel expenses and other needs. The organization is about a year old and is based in Watertown.
Before May 16, tickets cost $9 for adults, which includes the admittance of two children for free and $4 for each additional child. Tickets for adults without children cost $7, and children 17 and under and senior citizens will be admitted for $4.
On the day of the show, tickets cost $10 for adults, which includes the admittance of two children for free and $5 for each additional child. Tickets for adults without children cost $8, and children 17 and under and senior citizens will be admitted for $5.
Tickets are on sale for the benefit show now, and can be purchased at The Washboard laundromat in Tupper Lake or by calling 518-359-2339 or 518-862-1404.
The hard part is that you have to play two characters at once.
"You're becoming Laurel and Hardy, you're becoming Lucy and Ricky, you're both parts of the comedy team," Fletcher said. "You have got to be able to do a banter back and forth and do it quickly and make it believable."
People don't realize how important acting skills are to ventriloquism, she said.
Fletcher, who performs as Silvia and the Magic Trunk, is playing several shows in the Tri-Lakes area next week, and will finish off with a benefit performance at the Tupper Lake Knights of Columbus on Saturday, May 16.
The show is a family comedy show and features several hilarious characters, including Chito, an hispanic opossum for whom English is a second language, and Smolder, a stega-dragon (a mix between a stegosaurus and a dragon) who billows smoke and sometimes gets in trouble doing so.
Fletcher's husband, Chris Fletcher, is a Tupper Lake native and still has family there. Since their marriage three years ago, he has taken on the role of managing the show, adding lights, music and other production elements.
"It's a wonderful dimension that has been added to the show," Fletcher said.
Ventriloquism is a full-time job for the couple, who have a variety of shows they perform, including educational performances that promote literacy, like they will be putting on at L.P. Quinn on Thursday, and shows that are more geared toward general entertainment, like the Saturday benefit.
Proceeds from the show will be donated to two neurofibromatosis foundations: NF R.A.C.E.R.S. (which stands for Raising Awareness to Cure, Educate, Research and Support) and the Children's Tumor Foundation, a national research fund.
Fletcher's 14-year-old nephew Ganon has NF, a genetic disorder that causes tumors to form on nerves anywhere in the body. He was diagnosed when he was four months old, and has had two tumors removed from his eyelid.
Ganon's mother, Kim Fletcher, founded NF R.A.C.E.R.S. to support local families dealing with NF by helping pay for hospital bills, travel expenses and other needs. The organization is about a year old and is based in Watertown.
Before May 16, tickets cost $9 for adults, which includes the admittance of two children for free and $4 for each additional child. Tickets for adults without children cost $7, and children 17 and under and senior citizens will be admitted for $4.
On the day of the show, tickets cost $10 for adults, which includes the admittance of two children for free and $5 for each additional child. Tickets for adults without children cost $8, and children 17 and under and senior citizens will be admitted for $5.
Tickets are on sale for the benefit show now, and can be purchased at The Washboard laundromat in Tupper Lake or by calling 518-359-2339 or 518-862-1404.
Wednesday, September 23, 2009
MAX TERHUNE ON THE LONE RANGER
OCT.12TH 1950 EPISODE #57
"DANGER AHEAD" A ventriloquist, Sidney Boswell (Max Terhune), is an eye-witness to the murder of Sheriff Roberts in Kingston but is scared and runs off. The Lone Ranger convinces Boswell to do the right thing and return. A cup of hot coffee helps the Lone Ranger & Tonto get crooked Deputy Rock Craig (Don Haggerty) arrested. William E. Green plays the part of Judge Jordan, Hatch is played by Jack Briggs and the part of Al is played by Mike Ragan.
"DANGER AHEAD" A ventriloquist, Sidney Boswell (Max Terhune), is an eye-witness to the murder of Sheriff Roberts in Kingston but is scared and runs off. The Lone Ranger convinces Boswell to do the right thing and return. A cup of hot coffee helps the Lone Ranger & Tonto get crooked Deputy Rock Craig (Don Haggerty) arrested. William E. Green plays the part of Judge Jordan, Hatch is played by Jack Briggs and the part of Al is played by Mike Ragan.
OOPS OR NOT TO OOOPS IS THERE A QUESTION
Better late then never but better never late... I agree ... The month of August was the 40th anniversary of Maher Studios ownership by the Detweilers...Sorry guys for forgetting. But the celebration should last the whole year and hope it will.
Tuesday, September 22, 2009
KEEP THOSE POSTS COMING BOB
VINTAGE VENTRILOQUISM PACKAGEhttp://www.mediafire.com/download.php?zbnhyz2zymw10 Documents -- Ventriloquists/Ventriloquism before 1930
EDGAR BERGEN PACKAGEhttp://www.mediafire.com/download.php?wymmmudmfzt5 Documents & 1 Audio File
PETER BROUGH PACKAGEhttp://www.mediafire.com/download.php?2zkyd3znz52Biography, Photo Album,and 8 Educating Archie Radio Programs
PAUL WINCHELL PACKAGE
http://www.mediafire.com/download.php?joqljkobyycBiography, a Photo Scrapbook, 3 Winchell-Mahoney Time Scripts, and more than a dozen audio files.
EDGAR BERGEN PACKAGEhttp://www.mediafire.com/download.php?wymmmudmfzt5 Documents & 1 Audio File
PETER BROUGH PACKAGEhttp://www.mediafire.com/download.php?2zkyd3znz52Biography, Photo Album,and 8 Educating Archie Radio Programs
PAUL WINCHELL PACKAGE
http://www.mediafire.com/download.php?joqljkobyycBiography, a Photo Scrapbook, 3 Winchell-Mahoney Time Scripts, and more than a dozen audio files.
Monday, September 21, 2009
Another Message from our friend over the pond Bob Albano
Ventriloquist given blue plaque
Fred Russell introduced the single dummy act
A Victorian-era entertainer known as the father of modern ventriloquism has been honoured with a blue plaque.
Thomas Frederick Parnell, who was born in Poplar, east London, was known by his stage name Fred Russell and began as an amateur ventriloquist in 1879.
He was credited with popularising the use of a single dummy. His most popular dummy was the Cockney 'Coster Joe'.
The plaque was installed at the house in Lower Richmond Road, Putney, where Russell lived for 12 years until 1926.
'Good at everything'
Russell, originally a journalist, turned semi-professional in 1886 and went on to tour the US, Australia, New Zealand, Sri Lanka and South Africa, and his shows featured on television until 1952.
He is also credited with popularising the fast-paced verbal interplay between the ventriloquist and dummy where it is the dummy who cracks the jokes.
In 1906 Russell helped set up the Variety Artistes Federation trade union, which was behind improving the terms and conditions for performers.
Actor Roy Hudd, who was present at the unveiling of the plaque, said: "He was a great man in so many ways - the Victorian man who was good at everything he did.
"He was a huge top-of-the-bill star and that rare thing, an entertainer who was interested in politics.
"It's very exciting for all of us - we've been trying to get a blue plaque for him for 25 years."
Russell was awarded the OBE in 1948. He died in 1957 at the age of 95 years.
Fred Russell introduced the single dummy act
A Victorian-era entertainer known as the father of modern ventriloquism has been honoured with a blue plaque.
Thomas Frederick Parnell, who was born in Poplar, east London, was known by his stage name Fred Russell and began as an amateur ventriloquist in 1879.
He was credited with popularising the use of a single dummy. His most popular dummy was the Cockney 'Coster Joe'.
The plaque was installed at the house in Lower Richmond Road, Putney, where Russell lived for 12 years until 1926.
'Good at everything'
Russell, originally a journalist, turned semi-professional in 1886 and went on to tour the US, Australia, New Zealand, Sri Lanka and South Africa, and his shows featured on television until 1952.
He is also credited with popularising the fast-paced verbal interplay between the ventriloquist and dummy where it is the dummy who cracks the jokes.
In 1906 Russell helped set up the Variety Artistes Federation trade union, which was behind improving the terms and conditions for performers.
Actor Roy Hudd, who was present at the unveiling of the plaque, said: "He was a great man in so many ways - the Victorian man who was good at everything he did.
"He was a huge top-of-the-bill star and that rare thing, an entertainer who was interested in politics.
"It's very exciting for all of us - we've been trying to get a blue plaque for him for 25 years."
Russell was awarded the OBE in 1948. He died in 1957 at the age of 95 years.
Friday, September 18, 2009
I HAVE JUST BEEN INFORMED OF THE PASSING OF THIS MAGICIAN
Broken Wand - Bobby Baxter (US) passed away in his sleep last night »
(Brooklyn, New York: 14 Jun 1920- ) Stage name of Edwin Jerome Ziegler. Raised in St. Augustine, Florida, where he taught himself magic at age 10. Pro comedy magician. Played such venues as the Orpheum Theatre in Vancouver in 1943, the Cotillion Room in New York in 1946, Ed Sullivan Show in 1949, & a regular at Magic Towne House 1970s-80s & Mostly Magic since 1979.
(Brooklyn, New York: 14 Jun 1920- ) Stage name of Edwin Jerome Ziegler. Raised in St. Augustine, Florida, where he taught himself magic at age 10. Pro comedy magician. Played such venues as the Orpheum Theatre in Vancouver in 1943, the Cotillion Room in New York in 1946, Ed Sullivan Show in 1949, & a regular at Magic Towne House 1970s-80s & Mostly Magic since 1979.
A QUESTION WAS THROWN OUT TO ME AND I THOUGHT THE READER COULD ANSWER IT
I am in search of the best 3-5 minute opening of an act for a childrens show grades K-5 It could be used to open any childrens show. I have the routine but the opening act leaves much to be desired, can anyone help.
Willy Mobile Ala
Willy Mobile Ala
TO ALL MY JEWISH FRIENDS
THE BEST OF THE NEW YEAR MAY YOU ALL BE WRITEN IN THE BOOK OF LIFE FOR A HAPPY AND SAFE NEW YEAR LA SHANA TOVAR
ANOTHER GREAT DOWNLOAD FROM BOB ALBANO
Peter Brough Super Package
http://www.mediafire.com/download.php?2zkyd3znz52
Includes Biography, Photo Album,
and 8 Educating Archie Radio Programs
Bob Albano
Bob Thank you again for your wonderful information for our readers...please inform those you know of the down load to the blog.
http://www.mediafire.com/download.php?2zkyd3znz52
Includes Biography, Photo Album,
and 8 Educating Archie Radio Programs
Bob Albano
Bob Thank you again for your wonderful information for our readers...please inform those you know of the down load to the blog.
Wednesday, September 16, 2009
WILMA SWARTZ HAS LOTS TO SHARE WITH THE READERS
3) This seems to be an on going convo a learning experience for the young and older readers... so lets keep it going...Is there a video anywhere of Wilma and her World of Puppets... Does ventriloquism play a part in your act or is it more puppetry?
Go to http://www.youtube.com/watch?v=sPFh33kwV2I and you'll see me performing at the 2008 Vent Haven Ventriloquist ConVENTion for approximately 8 minutes.
If you want to see the trailer for "Figures Of Speech", go to this address.http://www.youtube.com/watch?v=aEK-v1gG9Z8
3) Now its your turn I am going to let the pipelines open real wide and let you explain your program to the utmost degree leaving no stones unturned... How you practice to prepare for each show
I practice mostly without using the traditional mirror. I will practice sometimes while driving to the store or to a gig which often I get asked at a traffic light, who's in the van with me since they can't see anyone but they know others are there because they say I couldn't be doing all those voices. (Some people can't read signs on your vehicle.) I usually do a couple of complete run throws minus the puppets prior to a show and then I'll do several dress rehearsals where I'm actually using the puppets so I can get the right facial or manipulation poses for the bit.
then How you put your program together, what you do to prepare for each program,
To put a program together, I first find out if the client has a certain theme they're working with so I can tie my show into it. Next I sit down and start writing a storyline and after I'm satisfied with the storyline then I go back in and put the jokes and music in it and assign characters. Prior to a show I like to have between 5 - 10 minutes of quiet time with no disturbances just to get my show and me in sync. The time in Lewisburg, PA. at the prom after party, my show faltered because I didn't have that quiet time because of the emergency I got roped into that occurred thanks to a previous act that flew the coop. I went right from saving a student to appearing on stage. I didn't even get a sip of water prior.
how you get your audiences involved, both young and senior groups
My audience gets involved in oh so many ways from when Sandy Twinkletoes walks thru the audience and does something to guests like fans them with her wings because the person is sweating or stops when she sees a camera and poses for it. When Sandy gets to the stage, she starts off getting the audience to dance with her...dances like "The Ostrich Dance", "The Holy Bible", "The Mr. Six Dance", "Hora", Zorba The Creek's Dance" and "The Mummers' Strut". During each skit the audience either comes up on stage with the characters or answers questions that the characters ask. Explanation of Sandy Twinkletoes' Dances:
1. The Ostrich Dance.....It's the Chicken Dance without the chicken.
2. The Holy Bible.....It's The Hokey Pokey with the words changed.
3. The Mr. Six Dance.....The dance that the bald man with the bus from the Six Flags, Great Adventure Theme Parks
4. Hora.....The Hanukkah Dance
5. Zorba The Greek Dance.....The same dance that was used in the movie with the same name
6. The Mummers' Strut.....A Philadelphia, PA. traditional on News Year Day.
How many programs you perform daily where you perform and how one differs from another.....ect.
Right now I'm just starting to book more shows. Since last October when my neck locked in place during a show which the cracking of the neck was so loud it was heard thru my clip on mic, I've had 3 neck surgeries then the month of April of this year I spent in the hospital and finally found out what was wrong. Diverticulitis which just last month I learned how to pronounce what I had. This actually almost had me quit performing until the doctors were able to regulate my meds so I can still perform without an attack. Prior to getting ill, I was doing quite a few shows a month. This one month during the summer of 2008, I did 7 shows and 1 parade in 1 weekend alone. I loved the money but when Monday came, I loved my bed.
Are there any books or videos you've read anyone you emulate? Lets keep this going and keep it growingBooks I've read are Dummy Days, Mark Wade's book on performing, One Way Street's books on promoting and running your business, plus a book on Clown Ministry. I also have books on the Muppets and Sesame Street.Paul Winchell, Mark Wade, Dan Horn, Terry Fator, Jeff Dunham, Jim Barber and Shari Lewis videos I love watching because you can learn a lot from watching the masters at their craft. I even went as far as to retape "Stop, Look amnd Laugh" with The Three Stooges and Paul Winchell where I can now only see the Paul Winchell segments.
Go to http://www.youtube.com/watch?v=sPFh33kwV2I and you'll see me performing at the 2008 Vent Haven Ventriloquist ConVENTion for approximately 8 minutes.
If you want to see the trailer for "Figures Of Speech", go to this address.http://www.youtube.com/watch?v=aEK-v1gG9Z8
3) Now its your turn I am going to let the pipelines open real wide and let you explain your program to the utmost degree leaving no stones unturned... How you practice to prepare for each show
I practice mostly without using the traditional mirror. I will practice sometimes while driving to the store or to a gig which often I get asked at a traffic light, who's in the van with me since they can't see anyone but they know others are there because they say I couldn't be doing all those voices. (Some people can't read signs on your vehicle.) I usually do a couple of complete run throws minus the puppets prior to a show and then I'll do several dress rehearsals where I'm actually using the puppets so I can get the right facial or manipulation poses for the bit.
then How you put your program together, what you do to prepare for each program,
To put a program together, I first find out if the client has a certain theme they're working with so I can tie my show into it. Next I sit down and start writing a storyline and after I'm satisfied with the storyline then I go back in and put the jokes and music in it and assign characters. Prior to a show I like to have between 5 - 10 minutes of quiet time with no disturbances just to get my show and me in sync. The time in Lewisburg, PA. at the prom after party, my show faltered because I didn't have that quiet time because of the emergency I got roped into that occurred thanks to a previous act that flew the coop. I went right from saving a student to appearing on stage. I didn't even get a sip of water prior.
how you get your audiences involved, both young and senior groups
My audience gets involved in oh so many ways from when Sandy Twinkletoes walks thru the audience and does something to guests like fans them with her wings because the person is sweating or stops when she sees a camera and poses for it. When Sandy gets to the stage, she starts off getting the audience to dance with her...dances like "The Ostrich Dance", "The Holy Bible", "The Mr. Six Dance", "Hora", Zorba The Creek's Dance" and "The Mummers' Strut". During each skit the audience either comes up on stage with the characters or answers questions that the characters ask. Explanation of Sandy Twinkletoes' Dances:
1. The Ostrich Dance.....It's the Chicken Dance without the chicken.
2. The Holy Bible.....It's The Hokey Pokey with the words changed.
3. The Mr. Six Dance.....The dance that the bald man with the bus from the Six Flags, Great Adventure Theme Parks
4. Hora.....The Hanukkah Dance
5. Zorba The Greek Dance.....The same dance that was used in the movie with the same name
6. The Mummers' Strut.....A Philadelphia, PA. traditional on News Year Day.
How many programs you perform daily where you perform and how one differs from another.....ect.
Right now I'm just starting to book more shows. Since last October when my neck locked in place during a show which the cracking of the neck was so loud it was heard thru my clip on mic, I've had 3 neck surgeries then the month of April of this year I spent in the hospital and finally found out what was wrong. Diverticulitis which just last month I learned how to pronounce what I had. This actually almost had me quit performing until the doctors were able to regulate my meds so I can still perform without an attack. Prior to getting ill, I was doing quite a few shows a month. This one month during the summer of 2008, I did 7 shows and 1 parade in 1 weekend alone. I loved the money but when Monday came, I loved my bed.
Are there any books or videos you've read anyone you emulate? Lets keep this going and keep it growingBooks I've read are Dummy Days, Mark Wade's book on performing, One Way Street's books on promoting and running your business, plus a book on Clown Ministry. I also have books on the Muppets and Sesame Street.Paul Winchell, Mark Wade, Dan Horn, Terry Fator, Jeff Dunham, Jim Barber and Shari Lewis videos I love watching because you can learn a lot from watching the masters at their craft. I even went as far as to retape "Stop, Look amnd Laugh" with The Three Stooges and Paul Winchell where I can now only see the Paul Winchell segments.
Tuesday, September 15, 2009
PETE MICHAELS IS RUNNING A WORK SHOP THIS COMMING WEEKEND WISH I COULD BE THERE BUT YOU CAN
Posted 9/15/2009, Just a reminder, Pete Michaels ALL DAY VENT CLINIC will be held on SUNDAY SEPTEMBER 20, 2009 This is an up-close and personal, hands-on learning and sharing Ventriloquism Clinic..Topics:
Lip Control (The Good, The Bad & The Ugly)
Enunciation (What did he say??}
Choosing a puppet/figure (Did I just waste my money on this thing?)
Character Development (Who ARE you?)
Manipulation (It's ALIVE!) The Voice (MUST they ALL sound alike?)
Singing (You DON'T have to be Terry Fator!) Distant/Muffled Voice (Can I REALLY do that?)Comedy Writing (Aren't you supposed to be FUNNY?)
Wardrobe (THIS is how you dress for a SHOW?)
Publicity (Do's and Don'ts) And MUCH MORE!!
The Workshop begins at 11am and runs until 5pm with a break for lunch.
The cost is only $100.00 for the 6 hours.
50% deposit and the balance due in CASH the day of. OR you can bring the full amount the day of.
Mail Deposit to:>Pete Michaels>P.O. Box 140351>Staten Island, NY 10314
A message from N Jay regarding this I find this to be the best $100. your ever going to spend for anything you do in the Vent world.. First your going to be taught by one of the finest in the business second the amount of effort that will be put into this workshop will be way beyond whatever you have tried to ever learn before and third the amount of topics out weights the cost without a doubt. If you are able to attend this event make it a priority on your list of getting it done.......
Lip Control (The Good, The Bad & The Ugly)
Enunciation (What did he say??}
Choosing a puppet/figure (Did I just waste my money on this thing?)
Character Development (Who ARE you?)
Manipulation (It's ALIVE!) The Voice (MUST they ALL sound alike?)
Singing (You DON'T have to be Terry Fator!) Distant/Muffled Voice (Can I REALLY do that?)Comedy Writing (Aren't you supposed to be FUNNY?)
Wardrobe (THIS is how you dress for a SHOW?)
Publicity (Do's and Don'ts) And MUCH MORE!!
The Workshop begins at 11am and runs until 5pm with a break for lunch.
The cost is only $100.00 for the 6 hours.
50% deposit and the balance due in CASH the day of. OR you can bring the full amount the day of.
Mail Deposit to:>Pete Michaels>P.O. Box 140351>Staten Island, NY 10314
A message from N Jay regarding this I find this to be the best $100. your ever going to spend for anything you do in the Vent world.. First your going to be taught by one of the finest in the business second the amount of effort that will be put into this workshop will be way beyond whatever you have tried to ever learn before and third the amount of topics out weights the cost without a doubt. If you are able to attend this event make it a priority on your list of getting it done.......
ANOTHER IN THE MANY FILES BOB ALBANO WAS SO GRACIOUS TO SEND TO YOU READERS
PAUL WINCHELL SUPER PACKAGE --
FREE DOWNLOAD.
Contains a Biography, a Photo Scrapbook, 3 Winchell-Mahoney Time Scripts, and more than a dozen audio files.
All for free!
http://www.mediafir e.com/download. php?joqljkobyyc
Enjoy!Bob Albano
FREE DOWNLOAD.
Contains a Biography, a Photo Scrapbook, 3 Winchell-Mahoney Time Scripts, and more than a dozen audio files.
All for free!
http://www.mediafir e.com/download. php?joqljkobyyc
Enjoy!Bob Albano
Wednesday, September 9, 2009
BOB ALBANO SEND MORE FREE HISTORY OF VENT
FREE DOWNLOAD OF THE WEEK
Biography of Paul Winchell
http://ventriloquism.uuuq.com/winchbio.pdf
(courtesy of the former paulwinchell.com site)
from Bob Albano, History of Ventriloquism
Biography of Paul Winchell
http://ventriloquism.uuuq.com/winchbio.pdf
(courtesy of the former paulwinchell.com site)
from Bob Albano, History of Ventriloquism
Sunday, September 6, 2009
WHAT YOU ARE ABOUT TO SEE ARE BOB ALBANO'S PDF FILE OF THE WEEK ENJOY
Bob Albano presents
A Video History of Ventriloquism (Full-Length Documentary: 2 and 1/4 Hours) plus A Pictorial History of Ventriloquism (530-page E-Book) Buy It Today! Watch It Today! Download Both for ONLY $14.99 A Video History of Ventriloquism
http://www.tradebit.com/filedetail.php/9116894-a-video-history-of-ventriloquism
TO VIEW THESE FILES YOU MUST HAVE ADOBE INSTALLED
FREE DOWNLOAD OF THE WEEK
THE PAUL WINCHELL PHOTO SCRAPBOOK
http://ventriloquism.uuuq.com/pwscrapbook.pdf
from Bob Albano, Video History of Ventriloquism
http://www.tradebit.com/filedetail.php/9116894-a-video-history-of-ventriloquism
A Video History of Ventriloquism (Full-Length Documentary: 2 and 1/4 Hours) plus A Pictorial History of Ventriloquism (530-page E-Book) Buy It Today! Watch It Today! Download Both for ONLY $14.99 A Video History of Ventriloquism
http://www.tradebit.com/filedetail.php/9116894-a-video-history-of-ventriloquism
TO VIEW THESE FILES YOU MUST HAVE ADOBE INSTALLED
FREE DOWNLOAD OF THE WEEK
THE PAUL WINCHELL PHOTO SCRAPBOOK
http://ventriloquism.uuuq.com/pwscrapbook.pdf
from Bob Albano, Video History of Ventriloquism
http://www.tradebit.com/filedetail.php/9116894-a-video-history-of-ventriloquism
A FEW GREAT IDEAS THAT SHOULD HELP JEFF DUNHAMS NEW SHOW BE VERY SUCCESSFUL
A great idea to adhance Jeff Dubham's new show would be to bring on a new and different ventriloquists from all over the world...and always a venteran of the vent world like Jimmy Nelson, Bill DeMar or Sammy King...there are so many others, too numerous to mention.. as well a current name in the world of vent, such as a Taylor Mason, Steve Axtell or Liz Von Seggen they could sing tell jokes do a skit ala Paul Winchell there are so many great vents to choose from and so many wonderful forms of illusions to work with ...They could work together as a duet or a single...I think I like my idea and hope others do as well.
If you like the idea let Jeff know you do as well by sending him a message to let him know. Tell him you heard it here at---
Ventriloquially Yours.
N Jay
If you like the idea let Jeff know you do as well by sending him a message to let him know. Tell him you heard it here at---
Ventriloquially Yours.
N Jay
Friday, September 4, 2009
PUPPETRY PUPPETEERS WHERE DID IT BEGIN AND WHERE IS IT NOW
WHERE DID PUPPETSA BEGIN?
No one knows where puppetry first began, Most scholars feel puppetry as an art form began in China with the introduction of the shadow puppet. It is still, one of the safest ways to act out, act up, entertain, educate, commiserate, wonder out loud, unburden yourself or release your feelings. Its been used to see the good guys win and justice done. armor in a world of frustrations and disappointments, a wonderful place to find peace of mind and spirit.
OK THEN WHAT IS A PUPPET?
A figure whose movements are controlled by someone through, strings, rods, or hand movements… puppets were tribal ritual masks with hinged jaws or jointed skulls used in religious ceremonies. Evolving from these masks to doll like figures. Egyptians made ceremonial masks from terra cotta…puppet theater have been part of man’s history from the days of Plato and Aristotle.
The Cinese have made their puppets from stretched donkey skins, dried sheep skin, water buffaloes, pigs, or fish. These shadow puppets are translucent and painted in to give color, then placed in front of a screen and shine light through it. There are three rods attached, one to the neck and the other two to the hands for manipulation. When countries were over taken bands of traveling entertainers moved about taking their craft of puppetry with then and therefore introducing the craft to other parts of the world.
RELIGION AND PUPPETRY
Middle ages saw churches use puppetry to spread the doctrine, the puppeteers were the monks and priests, of course the story of the birth of Jesus was the favorite story. Many historians believe that the name Marionettes meaning little Mary came from this story, or marotte meaning fools scepter.
In the 15th and 16th century new ideas came about for puppets other then religion, comedy was one of them, puppetry moved out of the churches in into the streets, where they were used in fairs for the common people, soon being enjoyed all over Europe and marionette theaters were common place.
17th century hand puppets were the rage, a head with some cloth that fit over the puppeteers hand, easier to manover and less expensive to make. Because of this the puppets became more portable and easier to move around on the back of a wagon, at this time Punch and Judy characters began popping up here and there, local politics played a big role in the stories that were told. The puppets could comment on subjects the masses couldn’t.
So we see that puppets played a large role all over the world for many centuries, in the New World, in the 20th century with the advent of television Howdy Doody was popular for 13 years, as well as Kukla Fran and Ollie for many many decades…Mr. Rogers neighborhood and oh so many many more TV shows made puppets in America so very popular.
The puppeteer breathes life into the puppet and manipulates it so that as we watch we are caught up in the story and we believe what we see and hear.
More information will be shared as it comes in and we thank you for reading this message..If you have anything you would like to share please send me an e mail to njay254@aol.com and I will be happy to add it with your name as the byline.
No one knows where puppetry first began, Most scholars feel puppetry as an art form began in China with the introduction of the shadow puppet. It is still, one of the safest ways to act out, act up, entertain, educate, commiserate, wonder out loud, unburden yourself or release your feelings. Its been used to see the good guys win and justice done. armor in a world of frustrations and disappointments, a wonderful place to find peace of mind and spirit.
OK THEN WHAT IS A PUPPET?
A figure whose movements are controlled by someone through, strings, rods, or hand movements… puppets were tribal ritual masks with hinged jaws or jointed skulls used in religious ceremonies. Evolving from these masks to doll like figures. Egyptians made ceremonial masks from terra cotta…puppet theater have been part of man’s history from the days of Plato and Aristotle.
The Cinese have made their puppets from stretched donkey skins, dried sheep skin, water buffaloes, pigs, or fish. These shadow puppets are translucent and painted in to give color, then placed in front of a screen and shine light through it. There are three rods attached, one to the neck and the other two to the hands for manipulation. When countries were over taken bands of traveling entertainers moved about taking their craft of puppetry with then and therefore introducing the craft to other parts of the world.
RELIGION AND PUPPETRY
Middle ages saw churches use puppetry to spread the doctrine, the puppeteers were the monks and priests, of course the story of the birth of Jesus was the favorite story. Many historians believe that the name Marionettes meaning little Mary came from this story, or marotte meaning fools scepter.
In the 15th and 16th century new ideas came about for puppets other then religion, comedy was one of them, puppetry moved out of the churches in into the streets, where they were used in fairs for the common people, soon being enjoyed all over Europe and marionette theaters were common place.
17th century hand puppets were the rage, a head with some cloth that fit over the puppeteers hand, easier to manover and less expensive to make. Because of this the puppets became more portable and easier to move around on the back of a wagon, at this time Punch and Judy characters began popping up here and there, local politics played a big role in the stories that were told. The puppets could comment on subjects the masses couldn’t.
So we see that puppets played a large role all over the world for many centuries, in the New World, in the 20th century with the advent of television Howdy Doody was popular for 13 years, as well as Kukla Fran and Ollie for many many decades…Mr. Rogers neighborhood and oh so many many more TV shows made puppets in America so very popular.
The puppeteer breathes life into the puppet and manipulates it so that as we watch we are caught up in the story and we believe what we see and hear.
More information will be shared as it comes in and we thank you for reading this message..If you have anything you would like to share please send me an e mail to njay254@aol.com and I will be happy to add it with your name as the byline.
Thursday, September 3, 2009
A VISIT TO THE SOUTH FLORIDA PUPPET GUILD-I AM ALWAYS LOOKING FOR NEW MATERIAL TO ADD HERE FOR THE READERS
Last night were received as new friends at the Puppet Guild Of South Florida Presided over by David Goboff.. a short social gathering was held prior to the meeting...where we got to meet some of the wonderful members who were present. Dave thank you for excepting us as new friends. When the meeting began we went around the room introducing ourselves to one another, Dave then had a short show and tell plate craft puppets, very interesting. Then we we witnessed a delightfun shadow puppet show. Dave please fill in the names of the 2 girls who performed. Another member then showed the group the 3 puppets she uses to teach her class, on was an eagle, another was a bear and the 3rd was a girl was very nice and she made them herself. We then took a tour of the theater in progress which will show various types of performances, followed soon after by another tour of the warehouse where the guild is in the process of building 3 giant puppets for the Holloween parade in Lake Worth on Oct. 30th...Hey try to make this parade its sure to be an experience.
Tuesday, September 1, 2009
A BRIEF HISTORY ABOUT JAMES EISENBERG AND HIS COMPANY VENTRILOQUIST SIDESHOW
After a request my friend send me a short briefing on his company I am sure you are going to enjoy the following
A little more about me and my work:
In my preteen years, I discovered my passion for building and performing with puppets. Originally performing with my brother Bill at birthday parties and special events, my interest has only increased with age. Over the years, I’ve built all styles of puppets. My construction technique and use of materials have also changed with time, with materials ranging from foam, fabric, wood, latex, and my currant choice, Paper Mache.
While studying children’s theater and sculpture at Central Washington State University , I honed my skills, learning more about theater and eventually finding my passion for sculpture and mold making. In 1993, I moved to New York City and built my first hard ventriloquist figure, “Little Nibbles,” a one-of-a-kind Paper Mache puppet with sculpted hair. I found that I enjoyed the process of building more than performing.
Wanting to build more puppets quickly, I used my mold making skills. I cast my heads, hands, and shoes in hard latex. The molded heads were topped with colorful wigs, and the simple bodies were dressed in hand-sewn felt suits. For the next ten years, I built as many puppets as I could while working full time dressing the windows at Bloomingdale’s. I sold everything I could produce to a few Magic stores across the country. When the last piece was sold, I retuned to making each puppet individually. I also recalled the sculpted hair.
For the past three years I’ve quietly built my latest collection of puppets.
Like people, each puppet is different, and has its own particularities. Each head is crafted individually by hand without the use of molds. To create a traditional look, the heads are made out of heavy Paper Mache, and then carved like wood. Each head has a variety of movements totaling five. All mechanical components are made of brass and all joints are soldered. The gaps between the jaw, eyelids, and other moving parts are wide enough to create resistant-free movements. This allows for snappy movements that wear less on the mechanics. The puppets are painted strikingly to read well from a distance. The paint is covered with a satin oil based clear coat.
The completed puppets include the following features:
· Realistic glowing eyes with reflecting red pupils.
· Extra glossy finish in mouth and on eyes.
· Grip coating on controls.
· Hand printed felt clothing.
· Squirting flower.
· Detachable control for left and right arm.
· Each is signed and dated with the working title.
Some of my puppets also include character-building features, such as gold teeth, a black eye, and a doll with a pull string. I believe the love I have for this art is reflected in each finished figure. Being the sole proprietor of the business I can offer outstanding customer service with a personal touch. My position as an artist is foremost in all my creations, second only to reliable mechanical movements. My goal is simply to create one-of-a-kind works of art and pass them on to people who share my passion.
James (Jimmy) Eisenberg
A little more about me and my work:
In my preteen years, I discovered my passion for building and performing with puppets. Originally performing with my brother Bill at birthday parties and special events, my interest has only increased with age. Over the years, I’ve built all styles of puppets. My construction technique and use of materials have also changed with time, with materials ranging from foam, fabric, wood, latex, and my currant choice, Paper Mache.
While studying children’s theater and sculpture at Central Washington State University , I honed my skills, learning more about theater and eventually finding my passion for sculpture and mold making. In 1993, I moved to New York City and built my first hard ventriloquist figure, “Little Nibbles,” a one-of-a-kind Paper Mache puppet with sculpted hair. I found that I enjoyed the process of building more than performing.
Wanting to build more puppets quickly, I used my mold making skills. I cast my heads, hands, and shoes in hard latex. The molded heads were topped with colorful wigs, and the simple bodies were dressed in hand-sewn felt suits. For the next ten years, I built as many puppets as I could while working full time dressing the windows at Bloomingdale’s. I sold everything I could produce to a few Magic stores across the country. When the last piece was sold, I retuned to making each puppet individually. I also recalled the sculpted hair.
For the past three years I’ve quietly built my latest collection of puppets.
Like people, each puppet is different, and has its own particularities. Each head is crafted individually by hand without the use of molds. To create a traditional look, the heads are made out of heavy Paper Mache, and then carved like wood. Each head has a variety of movements totaling five. All mechanical components are made of brass and all joints are soldered. The gaps between the jaw, eyelids, and other moving parts are wide enough to create resistant-free movements. This allows for snappy movements that wear less on the mechanics. The puppets are painted strikingly to read well from a distance. The paint is covered with a satin oil based clear coat.
The completed puppets include the following features:
· Realistic glowing eyes with reflecting red pupils.
· Extra glossy finish in mouth and on eyes.
· Grip coating on controls.
· Hand printed felt clothing.
· Squirting flower.
· Detachable control for left and right arm.
· Each is signed and dated with the working title.
Some of my puppets also include character-building features, such as gold teeth, a black eye, and a doll with a pull string. I believe the love I have for this art is reflected in each finished figure. Being the sole proprietor of the business I can offer outstanding customer service with a personal touch. My position as an artist is foremost in all my creations, second only to reliable mechanical movements. My goal is simply to create one-of-a-kind works of art and pass them on to people who share my passion.
James (Jimmy) Eisenberg
APOST FROM A FRIEND IN INDIA
Hello to my Indian friend Abhijeet
I will post your information on the reply, if you wish next time just click on comment and you may post your own information.
How is everything in India.Hopefully well. Keep in touch and keep a stiff upper lip.
Ventriloquially Yours
I will post your information on the reply, if you wish next time just click on comment and you may post your own information.
How is everything in India.Hopefully well. Keep in touch and keep a stiff upper lip.
Ventriloquially Yours
N Jay
Remember No Person Is Too Tall
Not To Stoop To Help Any Child
From: Abhijeet Deshpande 2:57 pmSubject: Ventriloquist sideshow
Dear Sir,
Hi, myself Abhijeet (age 22), from India. I am an amateur
ventriloquist, also now I'm making my first vent figure.
I read about Mr. James Eisenberg on your blog. I read that currently
he is making puppets and vent figures out of paper mache. I'm also
making my first vent figure from paper mache. Will you please give me
email address of Mr. James Eisenberg? I want to ask him some questions
relating to paper mache figure making.
I'm looking forward to receive a reply from you.
Thank you!
Abhijeet
“Ventriloquist Sideshow”
Dear Sir,
Hi, myself Abhijeet (age 22), from India. I am an amateur
ventriloquist, also now I'm making my first vent figure.
I read about Mr. James Eisenberg on your blog. I read that currently
he is making puppets and vent figures out of paper mache. I'm also
making my first vent figure from paper mache. Will you please give me
email address of Mr. James Eisenberg? I want to ask him some questions
relating to paper mache figure making.
I'm looking forward to receive a reply from you.
Thank you!
Abhijeet
“Ventriloquist Sideshow”
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